The reason why I choose this particular book
1. It was on a required reading list.
2. My litertature teacher recommanded me about the book.
3. I want to know what is symbolism.
4. The author is famous around the world.
5. I like the cover of the book which is pink, the mixture of blood and white.
The Scarlet Letter
Abstract：
Hawthorne begins The Scarlet Letter with a long introductory essay that generally functions as a preface but, more specifically, accomplishes four significant goals: outlines autobiographical information about the author, describes the conflict between the artistic impulse and the commercial environment, defines the romance novel (which Hawthorne is credited with refining and mastering), and authenticates the basis of the novel by explaining that he had discovered in the Salem Custom House the faded scarlet A and the parchment sheets that contained the historical manuscript on which the novel is based.
Key word:
Sin; evil; “A”, adultery, ability, angel; avenge
The Scarlet Letter
1. Brief Introduction of Nathaniel Hawthorne
Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachusetts, a descendant of a long line of Puritan ancestors including John Hathorne, a presiding magistrate in the Salem witch trials. He was brought up by his widowed mother. Then he enter Bowdoin College in Maine.
After graduation from college, Hawthorne began trying to write and published several articles on historical aspects. His first novel, Fanshawe, was unsuccessful and Hawthorne himself disavowed it as amateurish. In 1846, he published essays Tales “The Moss of Old House “, many of them on the story of early American. In 1845, Hawthorne continued as a Customs inspector in Salem. At this time, he was like the narrator of “The Scarlet Letter”. In 1850, he lost the job to stay later, issued a The Scarlet Letter and said the novel did not win universal emblazonment, however, at least it raises the reader’s heart-warming cheer. Hawthorne had wrote a campaign biography for Franklin Pierce and help him become president .In 1853, Pierce appointed Hawthorne as the U.S. consul abroad. Hawthorne in Europe and spent the subsequent six years. In 1864, that is, in his return to the United States a few years later, he died. The other major works written by Hawthorne include The House of Seven Angular Pavilion (1851), Fogo Legend (1852), The Statue of Marble(1860.)
2. Plot
The Scarlet Letter was based on a true love story that happened in New England range from 1642 to 1649.
Hester Prynne was a kind and beautiful English woman. Unfortunately, she married a deformed old doctor, Roger Chillingworth so that she had ruined her youth. In the way of migrating to North America, Roger was caught by Indians so that Hester had to live a lonely life in the Boston. However, she fell into love with Arthur Dimmesdale , a pastor who was young and talented. After their unlawful daughter born, the feudal fact put Hester into prison, and even let her wear a red “A”(abbreviation for ADULTERY) before her chest. She was suffered form humiliation because of forcing to be pilloried in public with her little girl.
Roger also came there resulted in recognized the humiliated woman was his wife. He had the chance to enter the prison to treat them as he was a doctor, and threaten Herter not to tell anyone the relation between them. He would find out the person who seduced his wife so that he could revenge him.
Hester live in a small cottage out of the country as a sinner with her little girl after out of prison. Although that, her needlework was the best in the country. She tried her best to serve everybody, especially to the poor, even to support the poor’s life with her limited resources. Seven years had been pasted, she made the dirty symbol of red “A” turn into the represent of kind and beautiful because of her noble virtues. She had won people’s respect through her many years’ social practice.
During this time, Roger had found out that Arthur was the person who seduced his wife. After it, he made every methods to approach Arthur, pretended to treat Arthur to torture and hit him brutally in spiritual and physical. Arthur was so poisoned by religious ideology that had no courage to admit and strict the love between him and Hester. Thus, under the formidable pressure of self-critical, penance and many other evil forces, his spiritual and physical turn to death rapidly. Hester had ever tried to meet Arthur in the forest to make the plan of escaping together and came back to Europe so that they could live together. Unexpectedly, their perfect plan was broken by Roger. And Arthur was despaired completely. A day of festival march, Arthur went to the scaffold to admit his guilt and died in the scaffold.
3. Character list
Hester Prynne
A young woman sent to the colonies by her husband, who plans to join her later but is presumed lost at sea. She is a symbol of the acknowledged sinner; one whose transgression has been identified and who makes appropriate, socio-religious atonement.
Reverend Arthur Dimmesdale
Dimmesdale is the unmarried pastor of Hester’s congregation; he is also the father of Hester’s daughter, Pearl. He is a symbol of the secret sinner; one who recognizes his transgression but keeps it hidden and secret, even to his own downfall.
Pearl
Pearl is the illegitimate daughter of Hester Prynne and Arthur Dimmesdale. She is the living manifestation of Hester’s sin and a symbol of the product of the act of adultery and of an act of passion and love.
Roger Chillingworth
The pseudonym assumed by Hester Prynne’s aged scholar-husband. He is a symbol of evil, of the “devil’s handyman,” of one consumed with revenge and devoid of compassion.
Governor Bellingham
This actual historical figure, Richard Bellingham, was elected governor in 1641, 1654, and 1665. In The Scarlet Letter, he witnesses Hester’s punishment and is a symbol of civil authority and, combined with John Wilson, of the Puritan Theocracy.
Mistress Hibbins
Another historical figure, Ann Hibbins, sister of Governor Bellingham, was executed for witchcraft in 1656. In the novel, she has insight into the sins of both Hester and Dimmesdale and is a symbol of super or preternatural knowledge and evil powers.
John Wilson
The historical figure on whom this character is based was an English-born minister who arrived in Boston in 1630. He is a symbol of religious authority and, combined with Governor Bellingham, of the Puritan Theocracy.
4. Character analysis
Hester is the public sinner who demonstrates the effect of punishment on sensitivity and human nature. She is seen as a fallen woman, a culprit who deserves the ignominy of her immoral choice. She struggles with her recognition of the letter’s symbolism just as people struggle with their moral choices. The paradox is that the Puritans stigmatize her with the mark of sin and, in so doing, reduce her to a dull, lifeless woman whose characteristic color is gray and whose vitality and femininity are suppressed.
Over the seven years of her punishment, Hester’s inner struggle changes from a victim of Puritan branding to a decisive woman in tune with human nature. When she meets Dimmesdale in the forest in Chapter 18, Hawthorne says, “The tendency of her fate and fortunes had been to set her free. The scarlet letter was her passport into regions where other women dared not tread.”
In time, even the Puritan community sees the letter as meaning “Able” or “Angel.” Her sensitivity with society’s victims turns her symbolic meaning from a person whose life was originally twisted and repressed to a strong and sensitive woman with respect for the humanity of others. In her final years, “the scarlet letter ceased to be a stigma which attracted the world’s scorn and bitterness, and became a type of something to be sorrowed over, and looked upon with awe, yet with reverence, too.” Since her character is strongly tied to the scarlet letter, Hester represents the public sinner who changes and learns from her own sorrow to understand the humanity of others. Often human beings who suffer great loss and life-changing experiences become survivors with an increased understanding and sympathy for the human losses of others. Hester is such a symbol.
Dimmesdale, on the other hand, is the secret sinner whose public and private faces are opposites. Even as the beadle — an obvious symbol of the righteous Colony of Massachusetts — proclaims that the settlement is a place where “iniquity is dragged out into the sunshine,” the colony, along with the Reverend Mr. Wilson, is in awe of Dimmesdale’s goodness and sanctity. Inside the good minister, however, is a storm raging between holiness and self-torture. He is unable to reveal his sin.
At worst, Dimmesdale is a symbol of hypocrisy and self-centered intellectualism; he knows what is right but has not the courage to make himself do the public act. When Hester tells him that the ship for Europe leaves in four days, he is delighted with the timing. He will be able to give his Election Sermon and “fulfill his public duties” before escaping. At best, his public piety is a disdainful act when he worries that his congregation will see his features in Pearl’s face.
Dimmesdale’s inner struggle is intense, and he struggles to do the right thing. He realizes the scaffold is the place to confess and also his shelter from his tormenter, Chillingworth. Yet, the very thing that makes Dimmesdale a symbol of the secret sinner is also what redeems him. Sin and its acknowledgment humanize Dimmesdale. When he leaves the forest and realizes the extent of the devil’s grip on his soul, he passionately writes his sermon and makes his decision to confess. As a symbol, he represents the secret sinner who fights the good fight in his soul and eventually wins.
Pearl is the strongest of these allegorical images because she is nearly all symbol, little reality. Dimmesdale sees Pearl as the “freedom of a broken law”; Hester sees her as “the living hieroglyphic” of their sin; and the community sees her as the result of the devil’s work. She is the scarlet letter in the flesh, a reminder of Hester’s sin. As Hester tells the pious community leaders in Chapter 8, “. . . she is my happiness! — she is my torture . . . See ye not, she is the scarlet letter, only capable of being loved, and so endowed with a million-fold the power of retribution for my sin?”
Pearl is also the imagination of the artist, an idea so powerful that the Puritans could not even conceive of it, let alone understand it, except in terms of transgression. She is natural law unleashed, the freedom of the unrestrained wilderness, the result of repressed passion. When Hester meets Dimmesdale in the forest, Pearl is reluctant to come across the brook to see them because they represent the Puritan society in which she has no happy role. Here in the forest, she is free and in harmony with nature. Her image in the brook is a common symbol of Hawthorne’s. He often uses a mirror to symbolize the imagination of the artist; Pearl is a product of that imagination. When Dimmesdale confesses his sin in the light of the sun, Pearl is free to become a human being. All along, Hester felt there was this redeemable nature in her daughter, and here she sees her faith rewarded. Pearl can now feel human grief and sorrow, as Hester can, and she becomes a sin redeemed.
Chillingworth is consistently a symbol of cold reason and intellect unencumbered by human compassion. While Dimmesdale has intellect but lacks will, Chillingworth has both. He is fiendish, evil, and intent on revenge. In his first appearance in the novel, he is compared to a snake, an obvious allusion to the Garden of Eden. Chillingworth becomes the essence of evil when he sees the scarlet letter on Dimmesdale’s breast in Chapter 10, where there is “no need to ask how Satan comports himself when a precious human soul is lost to heaven, and won into his kingdom.”
Eventually, his evil is so pervasive that Chillingworth awakens the distrust of the Puritan community and the recognition of Pearl. As time goes by and Dimmesdale becomes more frail under the constant torture of Chillingworth, the community worries that their minister is losing a battle with the devil himself. Even Pearl recognizes that Chillingworth is a creature of the Black Man and warns her mother to stay away from him. Chillingworth loses his reason to live when Dimmesdale eludes him at the scaffold in the final scenes of the novel. “All his strength and energy — all his vital and intellectual force — seemed at once to desert him; insomuch that he positively withered up, shrivelled away, and almost vanished from mortal sight.” As a symbol, Chillingworth’s job is done.
5. Comment:
The preface sets the atmosphere of the story and connects the present with the past. Hawthorne’s description of the Salem port of the 1800s is directly related to the past history of the area. The Puritans who first settled in Massachusetts in the 1600s founded a colony that concentrated on God’s teachings and their mission to live by His word. But this philosophy was eventually swallowed up by the commercialism and financial interests of the 1700s.
The clashing of the past and present is further explored in the character of the old General. The old General’s heroic qualities include a distinguished name, perseverance, integrity, compassion, and moral inner strength. He is “the soul and spirit of New England hardihood.” Now put out to pasture, he sometimes presides over the Custom House run by corrupt public servants, who skip work to sleep, allow or overlook smuggling, and are supervised by an inspector with “no power of thought, nor depth of feeling, no troublesome sensibilities,” who is honest enough but without a spiritual compass.
A further connection to the past is his discussion of his ancestors. Hawthorne has ambivalent feelings about their role in his life. In his autobiographical sketch, Hawthorne describes his ancestors as “dim and dusky,” “grave, bearded, sable-cloaked, and steel crowned,” “bitter persecutors” whose “better deeds” will be diminished by their bad ones. There can be little doubt of Hawthorne’s disdain for the stern morality and rigidity of the Puritans, and he imagines his predecessors’ disdainful view of him: unsuccessful in their eyes, worthless and disgraceful. “A writer of story books!” But even as he disagrees with his ancestor’s viewpoint, he also feels an instinctual connection to them and, more importantly, a “sense of place” in Salem. Their blood remains in his veins, but their intolerance and lack of humanity becomes the subject of his novel.
This ambivalence in his thoughts about his ancestors and his hometown is paralleled by his struggle with the need to exercise his artistic talent and the reality of supporting a family. Hawthorne wrote to his sister Elizabeth in 1820, “No man can be a Poet and a Bookkeeper at the same time.” Hawthorne’s references to Emerson, Thoreau, Channing, and other romantic authors describe an intellectual life he longs to regain. His job at the Custom House stifles his creativity and imagination. The scarlet letter touches his soul (he actually feels heat radiate from it), and while “the reader may smile,” Hawthorne feels a tugging that haunts him like his ancestors.
In this preface, Hawthorne also shares his definition of the romance novel as he attempts to imagine Hester Prynne’s story beyond Pue’s manuscript account. A careful reading of this section explains the author’s use of light (chiaroscuro) and setting as romance techniques in developing his themes. Hawthorne explains that, in a certain light and time and place, objects “. . . seem to lose their actual substance, and become things of intellect.” He asserts that, at the right time with the right scene before him, the romance writer can “dream strange things and make them look like truth.”
Finally, the preface serves as means of authenticating the novel by explaining that Hawthorne had discovered in the Salem Custom House the faded scarlet A and the parchment sheets that contained the historical manuscript on which the novel is based. However, we know of no serious, scholarly work that suggests Hawthorne was ever actually in possession of the letter or the manuscript. This technique, typical of the narrative conventions of his time, serves as a way of giving his story an air of historic truth. Furthermore, Hawthorne, in his story, “Endicott and the Red Cross,” published nine years before he took his Custom House position, described the incident of a woman who, like Hester Prynne, was forced to wear a letter A on her breast.
6. Conclusion:
Nathaniel Hawthorne is one of the most prolific symbolists in American literature, and a study of his symbols is necessary to understanding his novels. Generally speaking, a symbol is something used to stand for something else. In literature, a symbol is most often a concrete object used to represent an idea more abstract and broader in scope and meaning — often a moral, religious, or philosophical concept or value. Symbols can range from the most obvious substitution of one thing for another, to creations as massive, complex, and perplexing as Melville’s white whale in Moby Dick.
An allegory in literature is a story where characters, objects, and events have a hidden meaning and are used to present some universal lesson. Hawthorne has a perfect atmosphere for the symbols in The Scarlet Letter because the Puritans saw the world through allegory. For them, simple patterns, like the meteor streaking through the sky, became religious or moral interpretations for human events. Objects, such as the scaffold, were ritualistic symbols for such concepts as sin and penitence.
Whereas the Puritans translated such rituals into moral and repressive exercises, Hawthorne turns their interpretations around in The Scarlet Letter. The Puritan community sees Hester as a fallen woman, Dimmesdale as a saint, and would have seen the disguised Chillingworth as a victim — a husband betrayed. Instead, Hawthorne ultimately presents Hester as a woman who represents a sensitive human being with a heart and emotions; Dimmesdale as a minister who is not very saint-like in private but, instead, morally weak and unable to confess his hidden sin; and Chillingworth as a husband who is the worst possible offender of humanity and single-mindedly pursuing an evil goal.
Hawthorne’s embodiment of these characters is denied by the Puritan mentality: At the end of the novel, even watching and hearing Dimmesdale’s confession, many members of the Puritan community still deny what they saw. Thus, using his characters as symbols, Hawthorne discloses the grim underside of Puritanism that lurks beneath the public piety.
Some of Hawthorne’s symbols change their meaning, depending on the context, and some are static. Examples of static symbols are the Reverend Mr. Wilson, who represents the Church, or Governor Bellingham, who represents the State. But many of Hawthorne’s symbols change — particularly his characters — depending on their treatment by the community and their reactions to their sins. His characters, the scarlet A, light and darkness, color imagery, and the settings of forest and village serve symbolic purposes.
Besides the characters, the most obvious symbol is the scarlet letter itself, which has various meanings depending on its context. It is a sign of adultery, penance, and penitence. It brings about Hester’s suffering and loneliness and also provides her rejuvenation. In the book, it first appears as an actual material object in The Custom House preface. Then it becomes an elaborately gold-embroidered A over Hester’s heart and is magnified in the armor breast-plate at Governor Bellingham’s mansion. Here Hester is hidden by the gigantic, magnified symbol just as her life and feelings are hidden behind the sign of her sin.
Still later, the letter is an immense red A in the sky, a green A of eel-grass arranged by Pearl, the A on Hester’s dress decorated by Pearl with prickly burrs, an A on Dimmesdale’s chest seen by some spectators at the Election Day procession, and, finally, represented by the epitaph “On a field, sable, the letter A, gules” (gules being the heraldic term for “red”) on the tombstone Hester and Dimmesdale share.
In all these examples, the meaning of the symbol depends on the context and sometimes the interpreter. For example, in the second scaffold scene, the community sees the scarlet A in the sky as a sign that the dying Governor Winthrop has become an angel; Dimmesdale, however, sees it as a sign of his own secret sin. The community initially sees the letter on Hester’s bosom as a mark of just punishment and a symbol to deter others from sin. Hester is a Fallen Woman with a symbol of her guilt. Later, when she becomes a frequent visitor in homes of pain and sorrow, the A is seen to represent “Able” or “Angel.” It has rejuvenated Hester and changed her meaning in the eyes of the community.
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